Kalen and the Sky Thieves Soar with “Island”

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Describing themselves as “moody rock,” upcoming band Kalen and the Sky Thieves unveil “Island”, a single that expresses a soulfulness, and maturity that has been missing from the genre for some time. “Island” is a soft but powerful ballad about a relationship affected by one half’s inability to overcome their emotional hesitancy and insecurities. It specifically resonates though, through its honesty in both lyrics and execution. Moving through different tides of such a relationship, Kalen croons for a connection and hopes for the other’s potential growth, but eventually, she accepts the “salvation in letting go.”

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From ‘Us’ to ‘Me’: A Look at Wong Fu Productions’ Latest Short Film

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Known for their focus on the male perspective, Wong Fu Production’s newest short film, “After Us” takes viewers into the mind of a female protagonist communicating with herself in order to show audiences how to recover from the hurt and pain of a shattered romantic relationship through self-discovery that anyone, male or female, can empathize with and apply to any situation.

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Treat Your”sElf” to Another Awesome Cat Video

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Fun, catchy, and immediately lovable,“Runaway” — the new single from sElf’s first album since 2005’s Porno, Mint and Grime — reminds us of everything we loved about alternative music of the 90s, combined with the electro-pop and cat-featured fun we love about today. Unforgettable in sound, content and the cute cat-focused direction of the music video, “Runaway” could swiftly become an internet sensation.

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Pop-Punk Fans Re-’Joyce’ at New Enigmatic Album from Joyce Manor

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In their latest album, Never Hungover Again, alternative pop-punk band Joyce Manor sticks true to the simplicity and rhythm that have leveled them with artists like Weezer since the release of their self-titled full-length album in 2011. Teeming with emotion, this record is deep enough for listeners to dive into.

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#ThrowbackThursday: Julie Esposito Revives Old Hollywood

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Old Hollywood comes alive in the voice of Julie Esposito as she reinterprets a few of the film industry’s lesser-known gems. “I am too young to be old Hollywood,” she says, “but I guess I have always had an old soul.” The songs Esposito features in her 2007 self-produced album, Unsung Hollywood, include the whimsical and the romantic, some from as far back as the 1920s and 1930s. Indeed, an album standout, “Little Jazz Bird,” was written in 1923 and omitted from the 1947 film Lady Be Good. This track in particular embodies the benevolent cabaret-style of Prohibition era speakeasies and jazz clubs with lively horns, deep piano, and Esposito’s slightly sardonic tone.

One of the newest tracks Esposito croons called “What Can You Lose?” comes from Dick Tracy, a 1990 film crafted in the style of a 1930s detective drama.

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Rock for All: Four New Singles for the Classic or Post-Modern Rock Fan in You

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Beating its way into your heart with its jazzy drums, and grungy guitar and vocals, Stereo Off’s first single “Bullet Time” is just simply awesome. With synth backing, reminding you of the eighties — without being too overused — this song is electric and captivating, much like the common romantic situation that the band explains inspired it: “the song is about lovers— that feeling when you get to an impasse, and instead, you both slow down and are drawn back together.”

A Worldly Collection of Singles

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Berlin-based trance-pop group Das Flüff are gearing up for the release of their two latest singles, “One Cent Plus Postage” and “Shut the F*** Up,” on July 28th. Reminiscent of 1990s dark rock in atmosphere and the simultaneous experimental alternative movement in the roughness of their electro sounds, the trio’s deep, primal direction is wholly original. With direct lyrics that are untraditionally structured, frontwoman Dawn Lintern sings with her Madonna-esque voice in “One Cent Plus Postage” of how the group’s earlier album, Meditation and Violence, selling on eBay in the United States for only one cent.

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Movies that Speak Volumes

Reservation Road

Pain and sorrow are the sweet rains flowing across the film of our lives. We dive deep through trust and into the heart of betrayal, twisting and turning along the strings of lies and illusion. Passion carries us across, and we hold to heart, afraid to break. But it’s the pieces of tragedy that tell the real stories, stories that we cannot turn away from; can we watch them again and again? Or as the screen fades to black, do we remain held within memory, forever touched by the film of their lives? It’s a simple turn of the page that can be ignored. We don’t want to hear about it. We don’t want to see it. We don’t want to know, but it still happened. One story always echoes across the news. A life was lost. Tragedy struck.

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‘Slip and Fall’: A Review of Nick Santora’s 2007 Thriller

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The downward spiral of one man’s story pulled me into a world of uncertainty and intrigue. The descent kept me turning page after page in hopes of discovering his escape from certain death. As we hit the bottom, the story concluded, and the downward spiral reversed its course. If you mixed together the stories of The Sopranos, Law & Order, and Prison Break, the blend would be called Slip and Fall.

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