I
am Ghengis, a Mongolian monk troubled by
what I see in your great country. Widely
I gape about outfit worn by Britney Spears
at MTV Video Awards. But no matter. Cheeky
entertainments for restless populace. Hola!
Yet of soon appearing presidential debates,
much sorrow! How Great American Society
elect leaders by such television? Much
strangeness! Big noise salary men in undertaker
garment standing stiffly, speaking boiled
plate before ugly plastic pillar. These
finest specimen of human race?
Hola!
Like some ancient ritual whose meaning and function has long been forgotten,
the presidential debates are observed every four years. When you see the past
debates all in a row (as I did a few nights ago on PBS) there's something genuinely
disturbing about the whole business. First come the Kennedy/Nixon debates in
1960, followed by a sixteen-year lull (Nixon took a pass in '68 and '72 - can
you blame him? - while Johnson refused in '64). Then come debates in '76, '80,
'84, '88, '92 and '96.
As the evening progresses, the debates begin to resemble an extremely boring,
unstable game show in which we get to choose the "leader of the free world." We
choose our man because (a) he is better looking, (b) he is better at acting like
he knows what he's doing, or (c) he manages to get off one good (preferably nasty)
line. The richest, most powerful country on earth - the Big One - and our fate
hinge on slips of the tongue and make-up artists. Video, after all, is unsparing
in its scrutiny of skin, hair, and fear.
We all know that Kennedy won the 1960 debates because he was more relaxed in
the cool new medium of television, but it's still a shocker to see how twitchy
and creepy Nixon looked under the klieg lights - like a psychotic industrialist
in a George Grosz cartoon. Eyes darting furtively, fake smile slipping into a
grimace, flop sweat pouring off his face. Most unsettling of all was his five
o'clock shadow ineptly covered with Lazy Shave -making it look as if his inner
blackness were bleeding through.
Jack is cool and unflappable, but even he looks like a badly sculpted wax work,
especially now that we've gotten into the touchy/feely, what-cereal-do-you-eat,
Oprahland style of presidential interviews. (Hey, after watching a whole night
of debates I'm starting to like the Oprah format.) And it's disconcerting
to hear Kennedy's cold-war rhetoric and see, beneath that stiff composure, the
fervor of a war monger who would eventually drag us into the Bay of Pigs and
Vietnam.
Ross Perot is an equally scary sight. A piranha on two legs in a bad suit. Those
marsupial ears and the crazy eye that seems to be running away from him (combined
with his rat-tat-tat delivery and metallic Texas twang) remind us that we got
off easy with Clinton. But at least Perot shoots from the hip. Or should I say
the lip? Most of his memorable one-liners seem to literally explode out of the
side of his mouth. ("The party's over and it's time for the cleanup crew." "There
are guys who couldn't get a third shift at the Dairy Queen driving BMWs and selling
drugs." "Sure, I don't have any experience - in running up a four trillion
dollar debt.")
Another candidate for Scariest Looking is Dan Quayle. He wears way too much makeup,
including gobs of white lipstick that stick in the corners of his mouth, making
him look dry-mouthed and desperate (and which, in the four years between debates,
nobody manages to correct).
These are not debates in the classic Oxford Union sense; they're skits, and,
not surprisingly, those performers who can deliver their lines most effectively
win the day: "There you go again" (Reagan to Carter in 1980 and again,
shamelessly, to Mondale in 1984); "Senator, you're no Jack Kennedy" (Lloyd
Bentsen to Dan Quayle in 1988); "I will not exploit for political purposes
my opponent's youth and inexperience" (an aging Reagan to Mondale in 1984);
and "It's not his age, it's the age of his ideas that I question" (Clinton
about Dole in a town-hall style debate).
Most of these shots had obviously been rehearsed - although only Clinton was
honest enough to admit it. For Clinton, the idea that the debates are pre-packaged
is a given. He doesn't seem to think that having your lines prepared ahead of
time is a bad thing. He's also smart enough to know that we're smart enough
to have figured it out. Reagan just stonewalls the interviewer, Jim Lehrer (who
interviewed most of the participants after their debates, and who will be moderating
all three upcoming presidential commission debates).
There are some surprises in the Lehrer interviews. Bob Dole seems like a genuinely
nice person (this doesn't work at all for him in the debates). He's a
funny guy, but in context there is something creepy about his humor, like an
undertaker cracking a joke.
And George the First is at his best when he's telling Lehrer how much he despises the
debates. "Was I glad when the damn thing was over? Yeah. Maybe that's why
I was looking at [my watch]. Only ten more minutes of this crap. And you can
use that," he tells Lehrer. "I'm a free spirit now." Then, as
an afterthought: "Maybe if I'd said that then, I'd've done better. But you're
on guard. You don't want to make a mistake. You don't want to say anything that's
going to offend."
Elections are won and lost on these gaffs. Dole's contention that Democrats caused
World War II, Ford claiming Eastern Europe wasn't under Soviet domination, Carter
lusting after other women in his heart (and quoting Amy on nuclear disarmament).
Some of these things seemed minor at the time, but tiny mistakes were magnified
exponentially.
What the debates are really about is the Squirm Factor - how these guys are going
to behave on the head of a pin. The classic case being the 1976 Ford/Carter debate
in which the sound went out for 27 minutes and the two of them just stood there,
too terrified to talk or sit down or even move. Each was terrified of
making a mistake so they just stood at their podiums staring at the news panel
(who, by the way, got to sit down). While the engineers looked for that blown
transformer, the candidates stood paralyzed behind their wooden tubes like the
characters in Beckett's Happy Days, buried up to their necks in sand.
Can this possibly be the summit of terrestrial behavior? A million years of hominid
evolution has lead to ... this? It's all so dismal and drab. What about sumo
wrestling? How about spectacular outfits with feathers, conch shells, exotic
displays?
We scrutinize their faces for signs of life. We want them to be cool but not
actually robotic - like Dukakis and Perot. Reagan usually comes off the best
because he gets into his role. Clearly no smarter than Dubya, his talent was
in being able to portray someone smarter than himself. The oh-so-patient
pauses, the genial responses are those of a thoughtful person. He seems to be
mimicking FDR's avuncular fireside chats, or perhaps he is playing the title
role in Mr. Deeds Goes to Washington.
Like George the First sourly says, "It's all show business." Spin meisters
calculate what the various correspondents are going to ask and come up with a
pocketful of clever comebacks. The trick is to get back to your boilerplate laundry
list as quickly as possible. But what does it all have to do with being President
anyway? Do we really want to choose our chief executive by who first rings his
buzzer? By his make-up? By his ability to mask the pure terror of appearing before
40 million people? He's not even allowed crib notes, fer chrissakes!
We greet the appearance of Admiral James Stockdale (Perot's running mate in '92)
with a sense of (comic) relief. During the vice-presidential debate, that manic
face of his comes on camera saying exactly what we are thinking: "Who am
I? Why am I here?" We never do find out. Lehrer fills us in by telling us
that Stockdale was a prisoner of war, a leader of men. Unfortunately, his experiences
seem to have left him with a few screws loose. Which is precisely what Ghengis
the monk, my buddy from Mongolia, likes about him.
Ghengis favors a Stockdale/Perot ticket. Or, if possible, a ticket featuring
Dan Quayle and Laura Bush. Turns out he saw her on Larry King Live last
night and was hypnotized by her red lips and green dress. But who, he wants to
know, was that guy sitting next to her?
George II, I tell him.